Menu
Back to the Bottom - Lyric Video

News

Gigslutz Premiere ‘Where Have You Been?’


Photo_by_Mat_dunlap_3966-2

By Mari Lane, Gigslutz

Blending the sounds of Nashville with their Nova Scotian roots, trio Port Cities have previously received acclaim from Canadian music site Exclaim! and are now ready to charm the ears of UK listeners with their latest single.

‘Where Have You Been?’ blends the impassioned, silky smooth vocals of Breagh MacKinnon with lilting, folk-inspired melodies and luscious harmonies, resulting in an utterly charming slice of Americana-tinged pop. Oozing a sweeping, emotion-strewn power, it’s an alluring, musically rich ballad; a real treat for the ears.

Of the track, the band explain:

“One thing we all seem to connect with lyrically is showing a less-than-perfect idea of love, and not being scared to talk about how everything is not great, or call out a lot of what normal, traditional love songs would be about.”

Listen to ‘Where Have You Been?’, for the first time via Gigslutz here.

Double A Side ‘Where Have You Been?’/’In The Dark’ is out 22 September. And you can catch Port Cities live at The Slaughtered Lamb, London on 25 September.

Get your tickets for the 8th Annual Gordie Sampson Songcamp Circle!


Join Port Cities, Gordie Sampson and more on Thursday, July 13th at the Keltic Lodge in beautiful Ingonish, Cape Breton​ for the 8th Annual Gordie Sampson Songcamp Circle.

Advance tickets available via The Keltic Lodge (902-285-2880), Doucette’s Variety (902-285-2861), & Ingonish Home Hardware Building Centre​ (902-285-2323)

Soncamp-2017

Music

Port Cities (2017)
1. Back To The Bottom
2. Don’t Say You Love Me
3. In The Dark
4. Sound Of Your Voice
5. How To Lose You
6. Half The Way
7. On The Nights You Stay Home
8. Where Have You Been
9. Burn That Bridge
10. The Out
11. Body + Soul
12. Astronaut

Bio

bio-picA port city is a place where cultures and histories collide, where goods and ideas are imported and absorbed into the local bloodstream. The trio of celebrated Nova Scotian songwriters who now call themselves Port Cities honour that tradition. Their chosen name isn’t just indicative of where they’re from (the harbour hamlet of Cape Breton) but what they do: fuse divergent styles and experiences into a singular roots-rock sound.

Port Cities’ self-titled debut may be the group’s first effort together, but its members share deep, intertwining roots in the Maritime music scene. In addition to releasing three solo albums, Carleton Stone has written songs for and with everyone from Quebecois soul sensation Bobby Bazini to beloved acoustic troubadour Donovan Woods. Dylan Guthro has parlayed his own folk/RnB fusions into match-ups with Halifax hip-hop hero Classified and EDM crew Neon Dreams (whose 2015 single “High” featured Guthro alongside rap superstar Waka Flocka Flame). And Breagh MacKinnon is a jazz-schooled chanteuse whose 2012 album, Where the Days Went, was nominated for an ECMA Award; she has since lent her voice to recordings by East Coast pop icons David Myles and Ria Mae.

Port Cities is a collaboration six years in the making. The trio first crossed paths in 2011 at a songwriter’s workshop hosted by Gordie Sampson, the Nova Scotia native who has become one of the most in-demand writers and producers in Nashville (his roster of past collaborators—Carrie Underwood, Miranda Lambert, and Florida Georgia Line among them—could fill up an entire Grammys telecast). That initial meeting would eventually lead to triple-bill tour in 2014 that, MacKinnon recalls, “was originally supposed to be a songwriter’s circle, but by the end, it had more of a band feel than three musicians performing separately. It was just magic when we sang together. Shortly after that, we started throwing around the idea of making it official and starting a band.”

After building a fervent fanbase in Eastern Canada through steady gigging over the past two years, the trio laid down the bed tracks for their debut album in Nashville, tapping into Sampson’s deep Rolodex of ace session players. But then they took the recordings back home and “just messed with things,” Guthro explains. “We’d do these big weird group vocals, create and experiment with sounds—and through that, we landed on a vibe that’s consistent across this whole record.”

The result is a perfect balance of Nashville and Nova Scotia, of the rustic and atmospheric, of indie intimacy and the sort of arena-pop anthems that betray Port Cities’ globe-trotting ambitions; the fall of 2016 saw the band set out on their maiden cross-Canada and European voyages. It’s a record that draws on Port Cities’ collective songwriting expertise, but also reveals the dark emotional undercurrents lurking beneath the heavenly harmonies and heart-racing stomp of “Back to the Bottom”, or the intimations of infidelity tucked into the relaxed country-rock lilt of “On the Nights You Stay Home.” Even on the album’s most ebullient tracks, nothing is as it seems on the surface: the gentle Afro-pop groove of “How to Lose You” coaxes the tension out of a love song that’s consumed with the possibility of loneliness; “The Out” is a disco-kissed break-up song perfect for dancing on your own.

As Stone explains, “One thing we all seem to connect with lyrically is showing a less-than-perfect idea of love, and not being scared to talk about how everything is not great, or call out a lot of what normal, traditional love songs would be about.”

The album closes with the desolate ambient ballad “Astronaut,” a song that invokes outer-space imagery only to send us crashing back down to Earth, contrasting childhood dreams of interstellar exploration with the harsh, hopeless realities of navigating adult life. It’s a fitting finale for an album that’s nestled in the liminal space between familiar and foreign, pairing sounds that comfort with lyrics that confront. Because that’s the thing about living in a port city: the place you call home is also a gateway into the great unknown—and, at any moment, that scenic, open-water vista can give way to crashing waves and fierce undertows.

Media Tools

Shows

Shows

Saturday
August 19th, 2017
Nicholls Oval Park
Peterborough, ON
Peterborough Folk Festival
4:00 PM
Free Event
Tuesday
August 22nd, 2017
Exhibition Place/Bandshell Park
Toronto, ON
Port Cities Support to Colin James
7:30 PM
Main Stage
Show free with admission to CNE Festival Grounds
Buy Tickets
Saturday
August 26th, 2017
Wilser's Room (Upstairs)
Fredericton, NB
8:00 PM
19+ Show
Buy Tickets
Sunday
September 3rd, 2017
St. Mary's Church
Indian River, PEI
Port Cities Trio with Tomato Tomato
3:00 PM
Buy Tickets
Saturday
September 9th, 2017
Scotiabank Centre
Halifax, NS
Port Cities Supporting K.D. Lang's “Ingénue Redux” Canadian Tour
7:30 PM
Buy Tickets
Friday
September 22nd, 2017
Kukuun
Hamburg, DE
Canada House Reeperbahn Festival
2:00 PM
Buy Tickets
Monday
September 25th, 2017
The Slaughtered Lamb
London, GB
7:30 PM
Supporting Mo Kenney
Buy Tickets
Friday
October 13th, 2017
Legacy Centre
Slave Lake, AB
7:00 PM
Buy Tickets
Saturday
October 14th, 2017
Alumni Hall Theatre (Lakeland College)
Vermilion, AB
8:00 PM
Friday
October 20th, 2017
Bert Church Theatre
Airdrie, Alberta
7:30 PM
All ages show
Buy Tickets
Wednesday
October 25th, 2017
Daysland Palace Theatre
Daysland, AB
DaysArts Concert Series
7:30 PM
More info @ daysarts.ca
Buy Tickets
Friday
January 19th, 2018
Capitol Theatre
Moncton, New Brunswick
8:00 PM
Buy Tickets

twitter

Photo/Video

Instagram

Newsletter

Sign up here. We'll keep you up to date on everything Port Cities and you can instantly download the studio version of "Back To The Bottom" from our soon-to-be released new record.

Media Tools

Contact